Saturday, May 12, 2007

umbau -----> humanity







We seek to reclaim design rigour, authenticity, and architecture as a healing act. We go into places of HOPE : areas that are war-torn, poor, suffering. [Suffering includes everything from sub-Saharan AIDS to sprawling McWorlds.]

Umbau is not for the faint of heart.

We are a place of learning [school].
We are unaccredited, not granting degrees, and at present, the ‘curriculum’ is pure studio.
Immediately we go against the norm.

How can you be a school and not accredited?
It is called risking your guts out to learn as much as you can.
At Umbau you must learn to know your limits.
And from there you can do anything.

Graduate level does not mean master’s degrees.
It means you need to have moulted several times and know something about life.
We will take you from any field, discipline, endeavor, and age.
You simply have to be willing TO GET IT ON.

Umbau is about taking on the world.
Not in an academic sense, nor in a professional sense.
Ours are acts of subversion, guerilla-like, improvisario, iconoclastic, remarkably freeing. In time we will change everything around you.

Welcome to the paradigm shift.

Umbau is not about credibility; Umbau is about overturning.

Thursday, May 10, 2007

Actually both sets will be arsonists...






They must embody the ideals and instill the beliefs.
It is mandatory that for the faculty of Umbau--teaching is to be an art form.
Art form in the realm of design studio teaching is the hardest and most magical to achieve. One must continually transcend oneself, one’s students, one's norms, one's expectations. The effort can be most elusive.
The design studio is a learning environment. Totally. If the teacher is not learning, the student is not learning.
The rigour requires the Umbau-ian to
inspire, not entertain
stretch, not intimidate
lead, not coerce
respond, not prescribe
challenge, not intimidate
integrate, not specialize
create, not solve
entice, not demand
demand, not detach
detach, not clone
Design studio teaching cannot be learned in education classes—it can only be learned from having had the great teacher. It is a thing absorbed, handed down. If the great teacher has been missed, it is possible to achieve the necessary understanding later in life by sheer miracle. Good design teaching is a rare combination of intuition, dance, passion, insanity, belief, rigour, welcomed paradox. It is not common in today’s world. Beyond the classic literature of Whitehead, Bruner, Piaget, and Newman, the closest equivalent is to be found in the wisdom literature of the major religious traditions: Zen, Sufi, Hasidic, Desert Father, Upanishads.
How will Umbau find such?
They already exist, they are known, we are in contact. Umbau has a thriving network of people who think like we need. The experience is varied, they have had working mentors, there is a shared energy, belief system, and commitment to daring excellence. Umbau will be comprised of nest faculty and floaters- those who are the studio heads/bedrock and those who pass through/set fire. Actually both sets will be arsonists.

Tuesday, May 08, 2007

umbau manifesto




Stop doing what is comfortable.

Contrast is good.
When broad, go narrow. When tall, go low.
When wide, go tight. When bright, go dark.
When certain, get lost. When obscure, go clear.
Too much of a good thing is not a good thing.

Always look at the work on your desk from varying distances.
Every distance tells you something different.

Contrast is to architecture as dance is to a dervish.

Always honour the context.
Go first with camouflage.
Then illusion.
Then interpretation.

Always listen.

Go south. Go east. Go west. Go north.
Just get the hell out of Dodge.

We are about reclaiming America.
About helping America finding her way back to excellence,
instead of ruining most everything she touches.

Go in-between the obvious.

Find threads of ideas and keep working them. Think Bach fugue.
A project must have beginnings and endings with syncopation all along the way.
Initiate the threads.
Choreograph the threads.
Pull the threads all the way through.

Beware the lawnmower approach.
Grass can be consistent.
Architecture will only be boring.

True subversion is when they don’t know it happened.

Never go too long with the same thing,
unless it is repetition.

A column does more than hold things up.

Math is best when it’s geometric.

Architecture is not a formal inquiry.
It is an expansion of life.

Beginning occurs at frequent intervals and repeatedly throughout the course of a project.

Procrastination is the cancer of design.

Quality is directly proportional to quantity.

Every site is a unique microcosm.
Architecture must come to the site and rediscover this fact.

To really design with light, it is best to start with total darkness.

Variation on a theme is a wonderful construct.
It is to play with rules.
There must be rules.
Play is the verb.
There architecture can happen.

First you must have a theme.

Breakthroughs are a way of life.
You cannot will them, they come only via utmost rigour.

Architecture is a thing well played.

At some point your work will dictate the next steps.
If this doesn’t happen, you are working blind.

Make every decision yield tenfold.

In order for a project to be full, it must contain seeds for the next 50 years.

Backing up leads to finding more.

Activate the exponential.

The process of architecture is a case of many avenues moving in different directions at varying speeds . . . . simultaneously.
That is the nature of the process.
If such can be relished, we are doing architecture.

Finding architecture is a paradoxical opposite to any kind of linear process.

We fear exaggeration. Therefore do it.

Parts. Spaces. Elements. Avenues. Expectations. Temporal sequences. Perceived norms.
Throw them all through the window of exaggeration.

The Third World is the future of our planet.

The First World must decrease.
Not disappear, just shrink, get poorer, invert, release.

Tomorrow's world is not about making things equal.

Security is not a matter of maintaining peace or achieving economic affluence.
It is a direct product of justice and hope.

BUILD PUCCINI. BUILD PUCCINI. BUILD PUCCINI.

Monday, May 07, 2007

BUILD PUCCINI. BUILD PUCCINI. BUILD PUCCINI.

As some of you may or may not know, while I am an eccentric conservative--I also have an extreme love of the theatre, the arts, architecture, and all other types of fine arts. It is a sad thing that for some reason the title "Fine Arts" is also now associated with "Flaming Liberals." It simply is not true--and that distinction is unfair to Republican and Democrat alike.


I don't know if you all have noticed the link that is on the right hand top side of my blogger side bar. It is a link to, in my opinion, one of the greatest architecture schools out there right now. Starting in Staunton in 2005 on the anniversary of September 11th, it has caused quite a wave in the architecture and fine arts community. I am proud to support such a school, a venture, and the people who are involved. I have been around since it's conception--seen it take root, form, and continue to grow. Throughout the next few days, interspersed with my regular political blogging, I will feature snippets of what umbau is, what it is meant to be, and what it is becoming.


BUILD PUCCINI. BUILD PUCCINI. BUILD PUCCINI.